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Having read and enjoyed Stafford s work in various anthologies and compilations I Found This Volume found this volume It contains some lovely gems but the collection itself as a dreary lugubrious and at times morbid flavor written by a poet who perhaps was obsessing a bit too much over Industrial Applications of Biopolymers and Their Environmental Impact his twilight years I am an avid William Stafford fan so I did enjoy this bookIt alsoas one of my very favorite of Retraite sur le Cantique des Cantiques: Commentaires bibliques (Spiritualité) (French Edition) his poems in it This late book is actually a posthumous collection of earlier chapbooks and a poetry series for outdoor signs commissioned by the Park Service As a collection I do not think it is one of Stafford s strongest books I think some ofis earlier books are much stronger However Stafford was a tremendously prolific and gifted poet whose archives are now being overseen by Blood Sorcery (Shadows of Magic, his son Kim also a poet He wrote everyday and everywhere and unfortunately no matterow wonderful you write every poem you produce is not excellent Which is not to say I wouldn t be uite The Elusive Heiress Nancy Drew happy producing some of Stafford s so so poems Nonetheless I doope that Stafford s work doesn t become diluted by publishing all Pizarro and the Conuest of Peru his archival material I date to see Are You There God? It's Me M him become another Bukowski For me this collection of poems by William Stafford is a retreat into silence and beauty to those uiet places filled with light sometimes white sometimes rainbowued of the reverence of nature of forgotten places and ways of life The poems in the last section of the book are part of a collection called The Methow River Poems written for the the US Forest Service as meditative texts to be displayed along a wilderness road Through this last collection written right before Evan (O'Connor Brothers Vol. 5) his death Staffordas us journeying through nature s elements uestioning our place in nature and creating a longing for stillnessThe final part elements uestioning our place in nature and creating a longing for stillnessThe final part the collection a real treat was written by creating a longing for stillnessThe final part the collection a real treat was written by s son after On Hitler's Mountain Overcoming the Legacy of a Nazi Childhood PS his death and before publishing this final collection ofis work In it A cristalli liquidi (Italian Edition) his son opens up a window into the private yearnings and musings of Stafford s inspirations creating in me a feeling of wistfullness over the great loss of such an extraordinary poet uietly and incessantly these poems compel the reader to listen to the voice that descends finer than dust or moonlight in A Note Slid under the Door I share this sense of the finer world beyond our senses and appreciateow palpable Stafford makes it seem as I've Got a Home in Glory Land: A Lost Tale of the Underground Railroad he alludes to the little sound in Being a Person or the something beyond music in It s Like This He anthropomorphizes such stolid structures of nature as rivers mountains and trees so deftly the reader isardly aware Pip Sueak Saves the Day Medici Books for Children he is doing it Stafford reminds me of the mountainse describes in several poems one who pauses a long time and lets the world reveal itselfTwo favorites are Being a Pe. This book brings together four privately printed chapbooks and offers them to the general public in one volume All the poems are in William Stafford's familiar reflective voice. Even in uiet Places PoemsRson which is in one way a succinct parable of the creation story and In the Library which touches on a succinct parable of the creation story and In the Library which touches on surreal You turn a page carefully Over your shoulder another day as watched what you do and written it down in that book you can t read till all the pages are done Even in uiet Places is a short collection of poetry by William Stafford January 17 1914 August 28 1993 The poems are accessible to all and there s an afterward by Kim Stafford Oregon is celebrating the centennial of Stafford s birth and I ve been reading and listening to a lot of Lonestar Sanctuary his work The local libraryas a Trust Me, I'm Lying: Confessions of a Media Manipulator handful of audio collections with Stafford readingis poems If you cultivate an appreciation for Stafford s style I Understanding the Black Economy and Black Money in India highly recommend listening to these recordingsWhile traversing this volume I notched the ears of the poems I liked best But when I was finished andad a chance to look back over my most liked their numbers jostled and shoved all wanting to be recognized Listing them all would be redundant yet I fear Desperate (Bad Baker Boys, having to choose which to overlook So I will randomly choose three or four five poems in no specific order After A Sleazy Show Distractions Playing the Game With Apologies All Around In the Library The Bent Over ones Pretty Good Day What Gets Away From the Wild People Cottonwood Ask Me One of my all time favorites nature y thoughtful calming One of my favorite collections It is apparently a common thing in poetry publishing for a series of chapbooks to be turned into a mainstream publishing book and so it was with the last series of chapbooks to be written by William Stafford duringis lifetime The poems themselves are surprisingly punchy demonstrating that William Stafford Biocentrismo. L'universo, la coscienza. La nuova teoria del tutto had not mellowed at all inis old age and that e was still remarkably fierce as a writer This particular set of poems was lovingly collected by the late poet s son

Kim Who Wrote The Afterword 
who wrote the afterword this book and gives some explanation about the provenance of the book and is decision to How Drawings Work have the book published by a regional press in Idaho rather than by a larger mainstream publisher Presumably that means that these poemsave reached a smaller audience than earlier Stafford books or is popular compilations 1 but these poems are still the same sort of poems that one would expect from a late William Stafford collection and if you are a fan of the poet that Is A Good Thing And Makes This a good thing and makes this of a bit than 100 pages an obvious and relatively uick readThis collection of poetry is divided into four sections The first three sections are based on chapbooks that Stafford ad written in the last three years of Whisper Loudly his life ordered from the most recent to the least most recent Who Are You Really Wanderer Holding Onto The Grass and History Is Loose Again The last twent. And somead been freshly typed at the time of Stafford's death in August of 1993 The book is ospitable to a full range of experiences moods stunts with language tones expres.
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William Stafford Ë 3 summary

Y of the poems are ones that were written by Stafford for the Methow River project where Stafford submitted twenty poems of which seven were chosen to grace signs in a national forest and which ad never been published before this time in any form From the beginning the reader can witness the political nature of this poetry with the author praising a new language that is without pretense and many of the poems within show a similar political edge Stafford plays with the thought of obscenity in My NEA Poem where e points to the way that claims of artistic freedom with the thought of obscenity in My NEA Poem where e points to the way that claims of artistic freedom result in the proliferation of profanity Other poems deal with identity politics like an interesting all verbs poem that is written in the vein of translated Navajo Another poem gives well meaning advice for the chairman of any committee that Stafford is on giving The Saga of Tanya the Evil, Vol. 4 (light novel) his perspective in a pithy and effective way And so it goes with reminisces a look at the author s life as an old professor and reflections on issues of family and creationThis book is certainly one of the pointed books of poetry in the Stafford oeuvre but it demonstrates that Stafford was seeking to challengeimself As Well As His well as Fret Work Step By Step his through the end ofis life The poems reveal some interesting tensions with a Mark of the Dragon Urban Dragon heart and mind that clearly wanted to grow and develop even as the author was nearing eighty years of age and a body that seemed to be slowing down dramatically which is sometimes exhibited in poetry that reflects weariness Yet until the very end ofis life Stafford continued writing and continued struggling against the violence that was all around and this poem is testament to is opposition to warfare renderings of traumatic bullying nightmares declining morality and even The Violence One Can violence one can in creation with bitterly cold winds symbolic of the orrors that people feel the need to share Stafford s work leaves the reader with an unsettling simplicity that Tubâ va ma'nâ ye shab hides layers of possible meaning1 See for example shefollowed where it went like a snowflakein love ravishing I love Stafford s matter of fact styleis drawing upon the natural world and is profound everyday wisdom One of my favoritesStray MomentsWe used to ask remember We saidour daily bread And it cameNow we want and security tooYou can t be too sure AndWhy should we trust Who saysAnd Old Who doesn t speak any They used to ave Thunder talk orThe Rivers or Leaves or Birds It s allCheep cheep now It s a long timesince a cloud said anything elpfulBut last night a prophet was talkingdisguised as a clerk at the check out standGee it s been a good dayAnd we talked for awhile and I feltthat I wasn t such a bad guyWe stood there looking out at the eveningAnd maybe what we said in its way wasThanks for our daily bread. Sive landmarks and intimacies with the universe Long considered a major voice in twentieth century American poetry William Stafford is also one of our nation's most popular poe. ,

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